Written in 1592,
Christopher Marlowe’s Edward II
is a spectacular exploration of what happens when passion and politics mix,
when desires and allegiances are compromised, and what happens when you are
forced to choose one over the other. While Marlowe’s Edward pursues his desires
over good government and lawfulness, his play has perhaps been eclipsed by another
Elizabethan play about a transgressive king faced with a similar choice.
That is not to denigrate Marlowe’s play which is strong by itself but, like Edward II, Sport for Jove’s production suffers
from following its passion for accessibility and contemporaneity rather than
its foundations in solid dramatic traditions.