The world of the news: MTC’s Rupert

First staged by the Melbourne Theatre Company in 2013, David Williamson’s Rupert is a cabaret-style ‘This Is Your Life’ of Rupert Murdoch, a man who needs no introduction. The second richest Australian who ever lived, as Williamson’s note in the program tells us, Murdoch is everywhere – in the films and television we watch, in the news we consume, in the way we think about the world – whether we are aware of it or not, whether we like it or not. Williamson’s Rupert is “a kind of Rupert Cabaret, in which he invites the audience to sit down and listen to the real story of his life, not the story peddled by lefty, inner-city, latte-sipping, acai berry-eating critics.” Directed by Lee Lewis, it is a carousel indicative of the media-saturated age we live in, where information is at our fingertips, where everything is apparently bigger bolder faster louder higher stronger better.

The night I was turned into a white mouse*: Griffin’s The Witches

Every child reads Roald Dahl at one point or another at school. Anarchic and more than a little bit brilliant, Dahl’s stories operate in a world where children are victims and heroes, where adults do bad things, and there is danger inside every glance, every smile and every heartbeat, but more than anything else, Dahl’s stories are about the unexpected, and revel in a kind of child-like logic where everything can be something equally different, unique and brilliant. Perennial favourites include Matilda, James and the Giant Peach, Charlie and the Chocolate Factory and, my favourite, Danny the Champion of the World. Dahl’s books have also undergone a resurgence in recent years, with several making the transition from the page to stages around the world: Tim Minchin wrote the music and lyrics for the RSC-produced musical of Matilda; Sam Mendes directed a musical of Charlie and the Chocolate Factory; and now The Witches bursts onto Griffin Theatre Company’s tiny Stables theatre just in time for the school holidays.

And what a play it is.