Small world, big dreams: Belvoir & La Boite’s Samson

Small towns don't feel small when you grow up there.  That comes later.  The world as you know it seems wide.  You feel close to it, the smells, the seasons, the secret places.  But slowly, imperceptibly, like childhood itself, that comfortable, familiar, reassuring world starts to slip away.
 – Noel Mengel, RPM

Julia-Rose Lewis’ assured first play Samson is a one of those coming-of-age stories which dot the landscape of the Australian psyche. Set in a small country town, the play follows the lives of Essie, Beth, Sid, and Rabbit, as they collide, love, fight, dream, and burn burn burn. Co-produced by Belvoir and Brisbane’s La Boite theatre, Samson arrives in Sydney after a two-week run in Brisbane fizzing with life, exploding in Belvoir’s Downstairs theatre with vitality and something akin to incandescence.

Our town: New Theatre’s Book of Days

Set on a blank stage with a tree in the centre, New Theatre’s production of Lanford Wilson’s Book of Days could be forgiven for seeming, at first, to be rather empty. As Wilson’s play progresses and we come to know the small backwater town of Dublin, Missouri, we soon learn that it is anything but empty.

Wearing its influences on its sleeve, Book of Days was written in 2000, and owes much to Thornton Wilder’s seminal American play, Our Town, in tone and conceit. In Dublin, Missouri, where life revolves around the local cheese factory and the church, Ruth (book-keeper for the cheese factory) is chosen to play the lead role in Bernard Shaw’s Saint Joan. But, like all small towns, there is something dark lurking beneath the surface and, after an unfortunate accident during a tornado, Ruth takes it upon herself to try and uncover the truth, as the worlds of the local community and the theatre combine.