Capital cabaret: STC’s Boys will be boys

Two years ago, Melissa Bubnic’s award-winning play Beached burst onto the Griffin theatre stage in a whirlwind of dreams, desires, and realities, and even though it was furiously entertaining it still made you pause for thought. Her latest play, Boys will be boys, has been produced by the Sydney Theatre Company, and like Beached, applies her trademark brand of theatrical blowtorch to the world of finance, brokers, and corporate manipulation. And it is quite a ride.

The reality of television: Griffin’s Beached

At eighteen years old, and weighing over 400 kilograms, Arthur (Arty) is the world’s heaviest teenager. With his gastric bypass surgery scheduled for 259 days’ time, he is assigned a Pathways to Work officer and put on a strict diet, while his every move is followed by a ravenous reality TV crew from a show called ‘Shocking Fat Stories.’ This is the world of Melissa Bubnic’s 2010 Patrick White Playwrights’ Award-winning play, Beached.

Directed by Shannon Murphy, Bubnic’s play is an unapologetically satiric and pointed look at the obesity epidemic, and tries to unpick “society’s insatiable appetite for human misery.” Murphy’s direction is bold and ambitious, her staging audacious and inventive, as she (ingeniously) shows us the artifice behind the ‘reality’ of reality television. In a set constructed like a television studio, two patterned walls create a corner in which Arty sits, while cameras, lights, backdrops and costumes hang from the rungs of a cage-like scaffold which moves around him, encasing and restricting his movement and freedom.