In Sydney’s theatres this year, there are many shows to look forwards to – Griffin has the 2015 Griffin Award
winner The Turquoise Elephant, Phillip
Kavanagh’s Replay, and Finegan
Kruckemeyer’s Those Who Fall In Love Like Anchors Dropped Upon The Ocean Floor;
Belvoir has a season of general munificence,
including Kate Mulvany’s adaptation of Jasper
Jones, Kit Brookman’s The Great Fire,
Leah Purcell’s The Drover’s Wife, Twelfth Night, and the conclusion of Matthew
Whittet’s Windmill trilogy in Girl,
Asleep; STC has Arcadia, A Midsummer Night’s Dream, The
Golden Age, Almeida’s King Charles
III, and 1927’s Golem, as well as Angela Betzien's The Hanging; Bell Shakespeare has Romeo and Juliet, Othello,
and another Molière adaptation in The
Literati, a co-production with Griffin. There’s a cracker year at Opera Australia with John Bell’s production of
Carmen, and Julie Andrews’ My Fair Lady; Sport for Jove’s No End of Blame, Away, and Three Sisters; a
new Andrew Bovell play; and (fingers crossed) Squabbalogic’s
original musical-theatre take on The
Dismissal.