Each year the
signs of Christmas seem to be visible earlier and earlier. With forty-two days
until the day actually arrives, Belvoir’s A Christmas Carol
is one of the more human and beautiful evocations of this time of year, and its
magic creeps up on you unawares, like the sleep that steals upon you as a child
sitting up in bed determined to see Father Christmas. Directed by Resident
Director Anne-Louise Sarks, a self-confessed
Christmas tragic, this Christmas Carol – drawn from the Dickens novel – is
imbued with that Belvoirian brand of stage magic which previously infused Peter
Pan and The Book of
Everything.