First produced in
2000, a year and a half after playwright Sarah Kane’s death, 4.48
Psychosis is a mesmerising and harrowing portrait of a mind at war with
itself, whilst encompassing ideas about love, dependency, isolation, depression,
and mental stability. In Kane’s own words, it is about “a psychotic breakdown
and what happens
to a person’s mind when the barriers which distinguish between reality… and
imagination completely disappear.” Produced here by SUDS in their tiny Cellar Theatre, Kane’s play
is an experiment in form, breaking down existing boundaries whilst making new
ones which only stop where words do.