First produced in
2012, Ayad Akhtar’s Disgraced
has the distinction of being the
most produced play in the United States in the 2015-2016 theatre year. Set
on the tenth anniversary of the September 11 attacks, Akhtar’s
play is the story of Amir, a high-flying lawyer at the top of his game who
wants to be a partner in his prestigious firm. When he agrees to support an
Imam accused on charges of funding terrorism, he finds his world and
assumptions challenged, and rapidly slipping away from him. Following a long
line of dinner-party plays where arguments and battle-lines are drawn,
territories staked, and relationships forged, broken, destroyed, Akhtar is
clear to demarcate his characters’ points of view, but it lacks the spark which
would make this play a fierce critique of our current socio-political
attitudes.