Finegan
Kruckemeyer has the unique ability to capture a childlike sense of wonder
and storytelling, yet unlike so much theatre for young people he is never
patronising, but simply asks ‘would you like to hear a story?’ and away we go.
Following Kate
Gaul’s production of The
Violent Outburst That Drew Me to You at Griffin Theatre last year, I
set about trying to track down as many of Kruckemeyer’s plays as I could; when Melbourne
Theatre Company announced The
Boy at the Edge of Everything as part of their 2015 season, I knew I
had to see it. But sometimes great expectations can be their own worst enemy.