Twelve years ago I
saw James Thierrée’s Junebug Symphony
at the Sydney Festival and
fell in love with his unique – and often surreal – mixture of movement, dance,
clowning, bodily contortions, and elaborate set pieces and stage machinery.
While I don’t remember much of the show today, I remember two huge
shadow-puppet beasts emerging from the wings of the stage, two performers at their
heads, engaged in a dreamlike ballet or battle. I saw his Au Revoir Parapluie in 2008, and so the promise of another show as
the centrepiece of this year’s festival was hard to resist. Unfortunately
though, in Tabac Rouge we
have not just another James Thierrée show, but rather The James Thierrée Show.