Terror Firma: Malthouse’s Picnic at Hanging Rock

The story of Picnic at Hanging Rock is seared into our collective conscience, and has become a key part of our national mythology as both a thing of beauty and a force of terror. Written by Joan Lindsay in 1967, the story tells of a group of young women, students from Appleyard College, who have a picnic at Hanging Rock on St Valentine’s Day, 1900, and inexplicably vanish during an afternoon expedition. Filmed by Peter Weir in 1975, the story was fast-tracked into our cultural imagination, and has become an iconic story that plays upon our insecurities about possession, sexuality, colonialism, and mankind’s control over nature. Now, in the hands of playwright Tom Wright and director Matthew Lutton, Melbourne’s Malthouse theatre brings Lindsay’s novel to the professional stage for the first time, and capitalises on the story’s eeriness and terror, as well as its latent sexuality and potency.

Modern Prometheus: SUDS & Verge Festival’s Manic Pixie Dream World

Perhaps it’s an indication of our shift in socio-cultural thinking, that a lot of the narrative tropes we take for granted in popular culture are being turned on their head and examined in the theatre, on film, in books and comics and other mediums. Like All About Medea recently, SUDS’ Manic Pixie Dream World (henceforth MPDW) draws on the manic-pixie-dream-girl trope and problematises it like it deserves, making recent filmic forays such as Ruby Sparks look rather mild and clumsy by comparison.