Showing posts with label verdict. Show all posts
Showing posts with label verdict. Show all posts

31/12/2016

The Playlist: 2016 at the theatre

As with previous years, ‘The Playlist’ is a musical summary of the year’s theatre-going. The rule is (mostly) simple: find a piece of music that encapsulates either the production or my response to it, or both as the case often is. The only catch is I cannot re-use a piece from a previous year, even if it is the same text (return seasons of a production are excused).
Thus follows The Playlist for 2016.

2016, the verdict

THEATRE
Event(s) of the Year
A Midsummer Night’s Dream – Shakespeare’s Globe
Golem – 1927, presented by STC
Fase, four movements to the music of Steve Reich – Anne Teresa de Keersmaeker, Sydney Festival
A Midsummer Night’s Dream – Theatre for A New Audience

Honourable Mention
Thomas Murray and the Upside Down River – Stone Soup & Griffin Independent
Inner Voices – Don’t Look Away
The Literati – Bell Shakespeare & Griffin Theatre Company
Babes in the Woods – Don’t Look Away

Dishonourable Mention (or The Shovel)
The Great Fire – Belvoir
Twelfth Night – Belvoir
Power Plays – STC

Best (New Australian) Play
Skylab, Melodie Reynolds-Diarra (National Play Festival)
The Turquoise Elephant, Stephen Carleton
Picnic at Hanging Rock, Tom Wright, after Joan Lindsay

Best Design (Set, Costume, Lighting, Sound, Other)
David Fleischer (set & costume) – The Golden Age
1927 (projections/lighting/set) – Golem
Andrew Bailey (‘set’) – Lungs
Zjarie Paige-Butterworth (costumes) – Rosencrantz and Guildenstern Are Dead
Gabriella Tylesova (set & costume) – A Flea in Her Ear
Luke Smiles (motion laboratories) (soundtrack) – Girl Asleep

Shakesproud
A Midsummer Night’s Dream – Shakespeare’s Globe (live web-stream)
A Midsummer Night’s Dream – Theatre for A New Audience (filmed)

The ‘Room Temperature’ Award
Arcadia – STC
Things I Know To Be True – STCSA & Frantic Assembly


30/12/2015

2015, the verdict

THEATRE

Event(s) of the Year
Camille O’Sullivan: Changeling – Sydney Festival
The Tempest – Bell Shakespeare
Orfeo ed Euridice – Spectrum Now

Honourable Mention
All About Medea – Montague Basement
Of Mice and Men – Sport for Jove
Love and Information – STC & Malthouse
Man of La Mancha – Squabbalogic
A View from the Bridge – Young Vic [NT Live]

Dishonourable Mention
Tabac Rouge – Sydney Festival
Five Properties of Chainmale – Arts Radar & Griffin Independent
The Rocky Horror Show – Richard O’Brien
She Only Barks at Night – Living Room Theatre
Jumpy – STC/MTC

Best (New) Play
Battle of Waterloo, Kylie Coolwell
Extinction, Hannie Rayson

The Most Pertinent Award
ASYLUM – Apocalypse Theatre Company

The ‘Proud Overdaring’ Award
Masquerade – Griffin Theatre Company, STCSA, & Sydney Festival
Edward II – Sport for Jove

Shakesproud
The Tempest (dir. John Bell)
Hamlet (dir. Saro Lusty-Cavallari)
Love’s Labour’s Lost (dir. Damien Ryan)


16/12/2014

2014, the verdict

THEATRE

Event(s) of the Year
The Seagull – STCSA, Adelaide Festival
Tartuffe; Henry V – Bell Shakespeare
William Shakespeare’s Reservoir Dogs – Russall S. Beattie at The Vanguard
Children of the Sun – Sydney Theatre Company
Once – Melbourne Theatre Company, Gordon/Frost

Honourable Mention
On The Shore of the Wide World – Pantsguys & Griffin Independent
Noises Off; Switzerland – Sydney Theatre Company
Jump for Jordan – Griffin Theatre Company
Platonov – ATYP, MopHead & Catnip Productions
The Legend of King O’Malley – Don’t Look Away
Sweeney Todd – New Theatre
A Streetcar Named Desire – Young Vic (NTLive)

Dishonourable Mention
Cain and Abel – THE RABBLE, Belvoir
Hedda Gabler – Belvoir
Nora – Belvoir
Oedipus Rex – Belvoir
Rupert – Melbourne Theatre Company, David Sparrow Productions
Truth, Beauty and A Picture of You – Hayes Theatre Company

Best (New) Play
Jump for Jordan, Donna Abela
The Effect, Lucy Prebble
Procne & Tereus, Saro Lusty-Cavallari
Joan, Again, Paul Gilchrist

Shakesproud
Henry V (dir. Damien Ryan)
All’s Well That Ends Well (dir. Damien Ryan)
Richard III (dir. Mark Kilmurry)

The Red Curtain Award for Most Prodigious Use of Red Curtains
Baz Luhrmann, Catherine Martin & Co. – Strictly Ballroom The Musical

The Most Restrained Deployment of Trademark Style
Benedict Andrews, A Streetcar Named Desire (Young Vic; NTLive)



15/12/2012

2012, the verdict


Here are my selections for the best, the worst and the otherwise of 2012. In no way definitive, it is based on my own personal opinions and evaluation of the past twelve months (give or take). You may not agree with my choices, nor do I claim to be any sort of real critic, but here it is nonetheless, the verdict on my 2012.