Showing posts with label best of. Show all posts
Showing posts with label best of. Show all posts
01/01/2017
The best of thespellofwakinghours (2010 – 2016)
Over the past
seven years, I’ve had the pleasure and fortune to see over
three-hundred-and-twenty productions in Sydney
and interstate, across various mainstage, independent, and underground venues,
by a variety of artists and companies with diverse resources, and the results
contained within this blog speak for themselves.
As I write this,
the future of this blog is uncertain – new adventures await, and I am putting
it on hold until I can figure out the best way to continue it in the future. It
will stay here as a record and a resource for theatre-makers and theatre-lovers
alike.
Thank you to all
the artists – mainstage and independent alike – who have invited me to your
shows, who have taken the time out to share your thoughts and knowledge, and
who have got in touch for one reason or another.
Sometimes you see
a show that sticks with you for whatever reason hours, days, weeks, months –
even years – later, and it is in honour of these shows that I have compiled the
following list, celebrating the rich and wonderful hours of adventures I’ve
spent in theatres over the past seven years. So, in a roughly chronological
order, here are the brain-wormy experiences that comprise the spell of waking hours.
Labels:
2010,
2011,
2012,
2013,
2014,
2015,
2016,
best of,
blog review,
good night and good luck,
music,
new work,
Shakesproud,
theatre,
theatre-fucked,
thespellofwakinghours,
worst of,
year review
31/12/2016
2016, the verdict
THEATRE
Event(s) of the Year
A
Midsummer Night’s Dream – Shakespeare’s Globe
Golem – 1927, presented by STC
The
Golden Age – STC
Fase, four movements to the music of
Steve Reich – Anne Teresa de Keersmaeker, Sydney Festival
A
Midsummer Night’s Dream – Theatre for A New Audience
|
|
Honourable
Mention
Thomas
Murray and the Upside Down River – Stone Soup &
Disgraced; The
Hanging – STC
Inner
Voices – Don’t Look Away
The Literati
–
Bell Shakespeare & Griffin Theatre Company
Babes
in the Woods – Don’t Look Away
|
|
Dishonourable Mention (or The Shovel)
The
Blind Giant is Dancing – Belvoir
The
Great Fire – Belvoir
Twelfth
Night – Belvoir
Power Plays – STC
|
|
Best (New Australian)
Play
Skylab, Melodie Reynolds-Diarra (National Play Festival)
Thomas
Murray and the Upside Down River, Reg Cribb
The
Turquoise Elephant, Stephen Carleton
Picnic
at Hanging Rock, Tom Wright, after Joan Lindsay
|
|
Best
Design (Set, Costume, Lighting, Sound, Other)
David Fleischer (set & costume) – The
Golden Age
Dann Barber (set) – Thomas
Murray and the Upside Down River
1927 (projections/lighting/set) – Golem
Andrew Bailey (‘set’) – Lungs
Zjarie Paige-Butterworth (costumes) – Rosencrantz
and Guildenstern Are Dead
Gabriella Tylesova (set & costume) – A Flea in Her Ear
Luke Smiles (motion
laboratories) (soundtrack) – Girl
Asleep
|
|
Shakesproud
A
Midsummer Night’s Dream – Shakespeare’s Globe (live web-stream)
A
Midsummer Night’s Dream – Theatre for A New Audience (filmed)
|
The
‘Room Temperature’ Award
Arcadia
– STC
Things
I Know To Be True –
STCSA & Frantic Assembly
|
Labels:
2016,
A Midsummer Night's Dream,
Ali Smith,
best of,
books,
films,
Harry Potter,
new work,
stage to film,
theatre,
verdict,
worst of,
year review
30/12/2015
2015, the verdict
THEATRE
|
Event(s) of the Year
Ukchuk-ga:
Pansori Mother Courage – Sydney Festival
Camille O’Sullivan: Changeling – Sydney Festival
The
Tempest –
Orfeo
ed Euridice – Spectrum Now
|
|
|
Honourable Mention
All
About Medea – Montague Basement
Of
Mice and Men –
Sport for Jove
Battle
of Waterloo – STC
Love
and Information – STC & Malthouse
Man
of La Mancha – Squabbalogic
A View from the Bridge – Young Vic [NT Live]
|
|
|
Dishonourable Mention
Tabac
Rouge – Sydney Festival
Five
Properties of Chainmale – Arts Radar &
The
Rocky Horror Show – Richard
O’Brien
She
Only Barks at Night – Living Room Theatre
Jumpy – STC/MTC
|
|
|
Best (New) Play
What
Rhymes with Cars and Girls, Aidan Fennessy
Battle
of Waterloo, Kylie Coolwell
Extinction, Hannie Rayson
Manic
Pixie Dream World, Tansy Gardam
|
The
Most Pertinent Award
ASYLUM – Apocalypse Theatre Company
|
|
The
‘Proud Overdaring’ Award
Masquerade
– Griffin Theatre Company,
STCSA, & Sydney Festival
Mother
Courage and Her Children – Belvoir
Edward
II – Sport for Jove
|
Shakesproud
The
Tempest (dir. John Bell)
Hamlet (dir. Saro
Lusty-Cavallari)
Love’s
Labour’s Lost (dir. Damien
Ryan)
|
16/12/2014
2014, the verdict
THEATRE
Event(s) of the Year
The
Seagull – STCSA,
William
Shakespeare’s Reservoir Dogs – Russall S. Beattie at The Vanguard
Children
of the Sun – Sydney Theatre Company
Once – Melbourne
Theatre Company, Gordon/Frost
|
|
Honourable Mention
On
The Shore of the Wide World – Pantsguys &
Noises
Off; Switzerland – Sydney
Theatre Company
Jump
for Jordan – Griffin
Theatre Company
Antigone:
The Burial at Thebes –
Furies
Platonov – ATYP, MopHead
& Catnip Productions
The
Legend of King O’Malley – Don’t Look Away
Sweeney
Todd – New Theatre
A
Streetcar Named Desire – Young Vic (NTLive)
|
|
Dishonourable Mention
Cain
and Abel – THE RABBLE,
Belvoir
Hedda
Gabler – Belvoir
Nora
– Belvoir
Oedipus
Rex – Belvoir
Rupert – Melbourne
Theatre Company, David Sparrow Productions
Truth, Beauty and A Picture of You – Hayes Theatre Company
|
|
Best (New) Play
Jump
for Jordan, Donna Abela
The
Effect, Lucy Prebble
Procne
& Tereus, Saro
Lusty-Cavallari
Joan,
Again, Paul Gilchrist
|
Shakesproud
Henry
V (dir. Damien Ryan)
William
Shakespeare’s Reservoir Dogs (dir. Steven Hopley)
All’s
Well That Ends Well (dir. Damien Ryan)
Richard
III (dir. Mark Kilmurry)
|
The
Red Curtain Award for Most Prodigious Use of Red Curtains
Baz Luhrmann, Catherine Martin & Co. – Strictly
Ballroom The Musical
|
|
The Most Restrained Deployment of Trademark
Style
Benedict Andrews, A
Streetcar Named Desire (Young Vic; NTLive)
|
|
Labels:
2014,
Bell Shakespeare,
Belvoir,
best of,
books,
film,
Henry V,
Julio Cortazar,
Shakespeare,
Sydney Theatre Company,
Tartuffe,
The Seagull,
theatre,
verdict,
worst of,
year review,
Young Vic
16/12/2013
2013, the verdict
THEATRE
Event(s) of the Year
Peter
Pan; Forget
Me Not – Belvoir
Mrs
Warren’s Profession –
STC
Henry 4
–
The
Merchant of Venice –
Sydney Shakespeare Company
Songs
with Orchestra – Lior &
Nigel Westlake, with Sydney Symphony Orchestra
|
|
Honourable Mention
Angels
in America – Belvoir
One
Scientific Mystery, or Why Did The Aborigines Eat Captain Cook? – VHS Productions
Rust
and Bone –
Summertime
in the Garden of Eden –
Bushpig – Bagabus inc (part of Sydney Fringe Festival)
Top
Girls – New Theatre
|
|
Best (New) Play
Forget
Me Not, Tom Holloway
The
Bull, The Moon and the Coronet of Stars, Van Badham
One
Scientific Mystery, or Why Did The Aborigines Eat Captain Cook?, Victoria
Haralabidou
Hinterland, Jane Bodie
|
The Flat Award
Phédre –
Persona – Belvoir
A
Midsummer Night’s Dream
– Bell Shakespeare
Hamlet (with Toby Schmitz) –
Belvoir
|
The Almost Award
Jerusalem – New Theatre
Return
to Earth –
|
The ‘Love Me Tender’ Award
Small
and Tired – Belvoir
|
The Game-Changer
Romeo
and Juliet – STC
|
|
15/12/2012
2012, the verdict
Here are my selections for the best, the worst and the otherwise of 2012. In no way
definitive, it is based on my own personal opinions and evaluation of the past
twelve months (give or take). You may not agree with my choices, nor do I claim
to be any sort of real critic, but here it is nonetheless, the verdict on my
2012.
Labels:
2012,
Bell Shakespeare,
Belvoir,
best of,
books,
controversial,
culture,
Ensemble theatre,
film,
friends,
opinions,
otherwise of,
Shakespeare,
theatre,
verdict,
worst of,
year review
Subscribe to:
Posts (Atom)






