Showing posts with label best of. Show all posts
Showing posts with label best of. Show all posts

01/01/2017

The best of thespellofwakinghours (2010 – 2016) - IN PICTURES








The best of thespellofwakinghours (2010 – 2016)

Over the past seven years, I’ve had the pleasure and fortune to see over three-hundred-and-twenty productions in Sydney and interstate, across various mainstage, independent, and underground venues, by a variety of artists and companies with diverse resources, and the results contained within this blog speak for themselves.
As I write this, the future of this blog is uncertain – new adventures await, and I am putting it on hold until I can figure out the best way to continue it in the future. It will stay here as a record and a resource for theatre-makers and theatre-lovers alike.
Thank you to all the artists – mainstage and independent alike – who have invited me to your shows, who have taken the time out to share your thoughts and knowledge, and who have got in touch for one reason or another.
Sometimes you see a show that sticks with you for whatever reason hours, days, weeks, months – even years – later, and it is in honour of these shows that I have compiled the following list, celebrating the rich and wonderful hours of adventures I’ve spent in theatres over the past seven years. So, in a roughly chronological order, here are the brain-wormy experiences that comprise the spell of waking hours.

31/12/2016

2016, the verdict

THEATRE
Event(s) of the Year
A Midsummer Night’s DreamShakespeare’s Globe
Golem – 1927, presented by STC
Fase, four movements to the music of Steve Reich – Anne Teresa de Keersmaeker, Sydney Festival
A Midsummer Night’s Dream – Theatre for A New Audience

Honourable Mention
Thomas Murray and the Upside Down RiverStone Soup & Griffin Independent
Inner Voices Don’t Look Away
The Literati – Bell Shakespeare & Griffin Theatre Company
Babes in the Woods Don’t Look Away

Dishonourable Mention (or The Shovel)
The Great Fire Belvoir
Twelfth NightBelvoir
Power Plays – STC

Best (New Australian) Play
Skylab, Melodie Reynolds-Diarra (National Play Festival)
The Turquoise Elephant, Stephen Carleton
Picnic at Hanging Rock, Tom Wright, after Joan Lindsay

Best Design (Set, Costume, Lighting, Sound, Other)
David Fleischer (set & costume) – The Golden Age
1927 (projections/lighting/set) – Golem
Andrew Bailey (‘set’) – Lungs
Zjarie Paige-Butterworth (costumes) – Rosencrantz and Guildenstern Are Dead
Gabriella Tylesova (set & costume) – A Flea in Her Ear
Luke Smiles (motion laboratories) (soundtrack) – Girl Asleep

Shakesproud
A Midsummer Night’s DreamShakespeare’s Globe (live web-stream)
A Midsummer Night’s Dream – Theatre for A New Audience (filmed)

The ‘Room Temperature’ Award
ArcadiaSTC
Things I Know To Be True STCSA & Frantic Assembly


30/12/2015

2015, the verdict

THEATRE

Event(s) of the Year
Camille O’Sullivan: Changeling – Sydney Festival
The Tempest Bell Shakespeare
Orfeo ed Euridice – Spectrum Now

Honourable Mention
All About Medea – Montague Basement
Of Mice and Men Sport for Jove
Love and Information STC & Malthouse
Man of La Mancha Squabbalogic
A View from the Bridge – Young Vic [NT Live]

Dishonourable Mention
Tabac RougeSydney Festival
Five Properties of Chainmale – Arts Radar & Griffin Independent
The Rocky Horror Show – Richard O’Brien
She Only Barks at Night – Living Room Theatre
Jumpy – STC/MTC

Best (New) Play
Battle of Waterloo, Kylie Coolwell
Extinction, Hannie Rayson

The Most Pertinent Award
ASYLUM – Apocalypse Theatre Company

The ‘Proud Overdaring’ Award
Masquerade – Griffin Theatre Company, STCSA, & Sydney Festival
Edward II – Sport for Jove

Shakesproud
The Tempest (dir. John Bell)
Hamlet (dir. Saro Lusty-Cavallari)
Love’s Labour’s Lost (dir. Damien Ryan)


16/12/2014

2014, the verdict

THEATRE

Event(s) of the Year
The Seagull – STCSA, Adelaide Festival
Tartuffe; Henry V Bell Shakespeare
William Shakespeare’s Reservoir Dogs – Russall S. Beattie at The Vanguard
Children of the Sun – Sydney Theatre Company
Once – Melbourne Theatre Company, Gordon/Frost

Honourable Mention
On The Shore of the Wide World – Pantsguys & Griffin Independent
Noises Off; Switzerland – Sydney Theatre Company
Jump for Jordan – Griffin Theatre Company
Platonov – ATYP, MopHead & Catnip Productions
The Legend of King O’Malley – Don’t Look Away
Sweeney Todd – New Theatre
A Streetcar Named Desire – Young Vic (NTLive)

Dishonourable Mention
Cain and Abel – THE RABBLE, Belvoir
Hedda Gabler – Belvoir
Nora – Belvoir
Oedipus Rex – Belvoir
Rupert – Melbourne Theatre Company, David Sparrow Productions
Truth, Beauty and A Picture of YouHayes Theatre Company

Best (New) Play
Jump for Jordan, Donna Abela
The Effect, Lucy Prebble
Procne & Tereus, Saro Lusty-Cavallari
Joan, Again, Paul Gilchrist

Shakesproud
Henry V (dir. Damien Ryan)
All’s Well That Ends Well (dir. Damien Ryan)
Richard III (dir. Mark Kilmurry)

The Red Curtain Award for Most Prodigious Use of Red Curtains
Baz Luhrmann, Catherine Martin & Co. – Strictly Ballroom The Musical

The Most Restrained Deployment of Trademark Style
Benedict Andrews, A Streetcar Named Desire (Young Vic; NTLive)



16/12/2013

2013, the verdict

THEATRE

Event(s) of the Year
Peter Pan; Forget Me Not – Belvoir
Henry 4 Bell Shakespeare
The Merchant of Venice – Sydney Shakespeare Company
Songs with Orchestra – Lior & Nigel Westlake, with Sydney Symphony Orchestra

Honourable Mention
Angels in America – Belvoir
Rust and BoneGriffin
BushpigBagabus inc (part of Sydney Fringe Festival)
Top Girls – New Theatre

Best (New) Play
Forget Me Not, Tom Holloway
Hinterland, Jane Bodie

The Flat Award
PhédreBell Shakespeare
Persona – Belvoir
A Midsummer Night’s Dream – Bell Shakespeare
Hamlet (with Toby Schmitz) – Belvoir
The Almost Award
Jerusalem – New Theatre
Return to EarthGriffin

The ‘Love Me Tender’ Award
Small and Tired – Belvoir

The Game-Changer



15/12/2012

2012, the verdict


Here are my selections for the best, the worst and the otherwise of 2012. In no way definitive, it is based on my own personal opinions and evaluation of the past twelve months (give or take). You may not agree with my choices, nor do I claim to be any sort of real critic, but here it is nonetheless, the verdict on my 2012.